Majeed Khawar is the painted picture of the American dream – he moved, alone to a foreign land at 17 and through resourcefulness and determination he made a good life for himself. On the outside, at 43, he has done well, is respected at work and after the early death of his wife, has been a single father to a confident, rebellious seventeen year old daughter DUA. But within himself, Majeed struggles to connect both with his Islamic community and the community of police officers he has dutifully served with, for decades. Dua , a lead performer for Devon’s dance team in Chicago’s bustling South Asian bubble, lives for dancing. It has become a salve to heal the wounds of her deceased mother. Majeed and Dua plod through their lives, waiting until Dua is headed to college, when Majeed’s orthodox and ailing father, BABA arrives from Pakistan, without notice and for treatment. Perhaps the source of Majeed’s inability to connect with his community, Baba introduces his conservative morality to Dua, a move that rubs salt on old wounds for Majeed. Majeed, Dua and Baba dance uneasily around old feelings, new worries and the conflicts that arise through generational differences. With the arrival of Baba, Majeed and Dua’s internal discord is heightened. Majeed is further tested when he is asked to work undercover at the local mosque that now, his father frequents. Initially offended at the discriminatory undertones of this investigation, Majeed decides it is best to be the man on the ground to protect the interests of the Muslim community. While undercover, Majeed re-discovers his connection to his faith and a secret about his father that cracks the ground beneath his feet. Both Majeed and Dua have to face the crossroads of being true to themselves and their individual identities against the expectation of tradition and the influence of Baba.
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