What is behind the cinema screen? What if the auditorium dissolves and with it the familiar laws of cinema itself? In the 1990s, Martin Reinhart invented a film technique called “tx-transform,” which exchanges the time (t) and space (x) axes in a film. tx-reverse 360° shows this collision of reality and cinema and draws its viewers into a vortex in which the familiar order of space and time seems to be suspended.
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