Comedy

Thelma

Sarasota Film Festival 2024

At once a celebration and playful subversion of the action genre and a soulful exploration of aging and autonomy, Sundance hit Thelma is a showcase for our oldest generation, those rarely centered in life let alone on-screen. When 93-year-old Thelma Post (June Squibb) gets duped by a phone scammer pretending to be her grandson, she sets out on a treacherous quest across the city, with the help of her good friend Ben (the late Richard Roundtree) to reclaim what she lost. The path to the perpetrator is anything but straight as Thelma must make an important stop or two and she encounters complications along the way. For first-time feature writer/director Josh Margolin, the film serves as a love letter to the exploits of his real-life grandmother. And after 70+ years of acting (perhaps most memorably as the henpecking wife in Nebraska) Thelma gives June Squibb, in a memorable performance, her first starring role to become the year’s oldest action hero.


In Attendance: Josh Margolin, Director; Zoë Worth, Co-Producer (April 7 only)

Puddysticks

Sarasota Film Festival 2024

East Coast Premiere. Puddysticks is a dark, joyously twisted comedy following Liz (Megan Seely), a workaholic at Braindead, a brutal, elite gaming company with the chance to be recruited by her gaming hero only if she’s the best at her job. One day she collapses from overwork and, despite the doctor’s warnings to take it easy, she chooses instead to join Puddysticks — a secret society that increases stamina and creativity, promising to make her the best at her work. She joins seeking a quick fix for work and instead revolutionizes her life but when she finally gains the courage to share her own deep-rooted shame, things don’t go as anticipated. Fresh, funny and smart, Puddysticks traces the odyssey of a young woman whose world turns upside down and who must find her own way to free herself of her past.


In Attendance: Megan Seely, Director

The Nature of Love

Sarasota Film Festival 2024

Florida Premiere. Philosophy lecturer Sophia is an expert on love. She can effortlessly wield quotes from Plato and Schopenhauer, among others, on the subject. She is happily married in an amicable if passionless relationship with fellow intellectual Xavier. But her theoretical and analytical grounding in matters of the heart hasn’t prepared her for the instant, electrical connection she experiences when she meets Sylvain, the rugged building contractor she and Xavier have retained to renovate their new lake cabin. Canadian actress-tuned-director Monia Chokri establishes a rattling screwball-style dialogue pace early on, and combines cynical smarts and deceptively light handling of some undeniably mature themes to deliver a sexy, witty examination of romantic passion in a real-world environment. Sophia may know the nature of love, but there never are easy answers.

The Trouble with Jessica

Sarasota Film Festival 2024

Southeastern US Premiere. Sarah and Tom are in terrible financial trouble. On the brink of losing everything, they’ve managed to find a buyer for their stylish London home. When their best friends Richard and Beth come round for a final dinner, an uninvited old friend, Jessica, tags along. What could possibly go wrong? Well, plenty. This black comedy tells the story of two couples who find themselves having to move a dead body to ensure an imminent house sale doesn’t collapse. Rufus Sewell (The Diplomat, A Knight’s Tale), Shirley Henderson (The House Across the Street, Bridget Jones’s Diary) and Olivia Williams (The Ghost Writer, The Sixth Sense) star in the uproarious effort to hide the corpse, an undertaking which features a nosy neighbor and bungling cops. A blueberry clafoutis dessert also plays a significant role.

The Feeling That the Time for Doing Something Has Passed

Sarasota Film Festival 2024

Florida Premiere. In this droll, uniquely humorous, refreshingly intimate take on millennial alienation, filmmaker Joanna Arnow portrays Ann, a 30-something New Yorker suffering from aging millennial malaise with the various threads of her life each marked by a sense of discomfort and stagnancy. As she awkwardly shuffles from her low-level, corporate job – whose stated mission is to create her own obsolescence – through a series of carefully orchestrated, though just as self-effacing, submissive sexual encounters, dissociation gives way to hints of self-conscious introspection. While the introduction of her charmingly argumentative family provides context as to how relinquishing a sense of control and feeling yourself fade into non-existence might be liberating, Ann soon discovers there may be limits. With a deadpan, sardonic humor and an unabashed authenticity, Arnow’s boundary-pushing narrative debut speaks to the frustrations of a generation terrified of sincerely wanting anything.

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